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So you want to spew like the pros. Or, at the very least, the idiots in our band. Before our last tour with GWAR, we rejiggered our entire system of blood delivery. Based on a system devised by Sean, I made a revised version of a self contained blood tank that could send pressurized spew to the wanting masses.
Sean first got the idea to use plastic pipes for self-contained blood spewing some years back. It involved sealing and pressurizing plastic tubes with common Schraeder bike pump valves. Everything was customized for each individual costume, though, and require fragile gravity feeds. Years later, I came up with this diagram after thinking about how a spray bottle worked:
In my last post about building a costume, I detailed fleshing out a character from our mythos. For our last tour, however, we also added a character for the beginning of the set to introduce the narrative. Like any beginning of a set for a blood-spewing band, we needed a character to kill and come out spewing to capture our audience in the whirlwind of gore to come. Introducing, and then sending to his final resting place, Doctor Jones.
Since we were out with GWAR, a decapitation was out of the question. That’s practically a trademark of theirs. But I wanted something splashy, so I settled on ripping someone’s face off. This was only my second two-part mask mold, but it went infinitely easier than the first.
A new part of the mythos for our band since our last record has been the addition of dog soldiers to back up the big bad guy. Well, they’re on the record and on the record cover, but it took us the better part of a year to make ’em. Sean built one and I did the other. You wanna know how Sean built his? Tell him to write a blog. You wanna meet Sgt. Rott? Here he is.
Sgt. Rott was played by our buddy Muddy when he joined the second half of our long-assed tour with GWAR in 2017. Sean’s dog solder, Lt. Collie, was there the whole time. Because that’s how a hierarchy works.
We finished up our tour with Carcass and Crowbar on the East Coast, so we and Night Demon had a string of shows in order to get back to California. Originally we had wanted to go to Cleveland (sorry guys) but we ended up in Webster, NY, at some old Mason hall or church or whatever… I don’t know. It was near Rochester, and even the few folks from Rochester were like, “Webster?” But whatever, the people who did show up were the right people and had a rocking good time.
We had to drive all night, again, but were set to hit Chicago and one of the best venues in the United States, Reggie’s Rock Club. The staff lead by Edgar is fucking on point, the food at the attached bar is great, they have laundry, a back room, but most importantly, they have insane Chicagoans who know how to rock the fuck out. Easily it bested any of the previous nights on tour… the ENTIRE tour.
This last weekend, I was helping my wife out taking some band photos of our friends’ band, Serpent Crown. At one point I hoisted her on my shoulders to try for a bird’s eye view. I was reminded of seven years previous, going through some similar extreme measures to get photographs for Ludicra’s The Tenant. I wasn’t blogging at the time, stupidly, so here’s a Throwback Thursday post about this cover.
At the time this came out in 2009, some people commented “why did they photoshop a dumb door onto the water?” Well, fuck you. First, don’t use a product name as a verb in a sentence. Second, Photoshop was not involved in editing this door into a body of water. It was me and my own damn two hands what did the work putting a real door into a real body of water.
While I wait for a bunch of other cool shit to appear, this release follows hot on the heels of the last Sodom re-issue that I did layouts for. Persecution Mania: Sodom’s second full length (and really superior to the first) available for order now from Wax Maniax.
This is quite a cool package. Doubly vinyl, gatefold, full lyrics, etc. This release has never been better. But it’s not for want of trying to be worse. It seems that when it comes to the 1980s, there was a little to be desired in terms of archiving all the media that went into creating such a milestone record of thrash metal.
Well, this was quite an honor… doing layouts for the re-issue of Sodom’s first LP, Obsessed by Cruelty. I got the gig thanks to my good friend Dan at Mammoth Sound Mastering. He introduced me to the fellas at Wax Maniax. My first gig (not my last) for them was just for, oh, I don’t know, one of the best thrash bands ever? All in all, I think it came out quite smashing.
This version includes both recordings of the album, one that was released on vinyl in Germany and the other that is pretty much the only version most people have heard. It’s a long story. In any case, I got to sift through photos provided by Tom Angelripper and make a bad-ass photo collage. I tried my damnedest to correct the shoddy, original lyrics sheet, and did a lot of photo correction. Even the LP labels reflect the original releases’ designs of Metal Blade and Steamhammer Records.
This beauty sold out in just a couple weeks, but I’m sure they’ll eventually have more over at the Wax Maniax website.