In my last post about building a costume, I detailed fleshing out a character from our mythos. For our last tour, however, we also added a character for the beginning of the set to introduce the narrative. Like any beginning of a set for a blood-spewing band, we needed a character to kill and come out spewing to capture our audience in the whirlwind of gore to come. Introducing, and then sending to his final resting place, Doctor Jones.
Since we were out with GWAR, a decapitation was out of the question. That’s practically a trademark of theirs. But I wanted something splashy, so I settled on ripping someone’s face off. This was only my second two-part mask mold, but it went infinitely easier than the first.
A new part of the mythos for our band since our last record has been the addition of dog soldiers to back up the big bad guy. Well, they’re on the record and on the record cover, but it took us the better part of a year to make ’em. Sean built one and I did the other. You wanna know how Sean built his? Tell him to write a blog. You wanna meet Sgt. Rott? Here he is.
Sgt. Rott was played by our buddy Muddy when he joined the second half of our long-assed tour with GWAR in 2017. Sean’s dog solder, Lt. Collie, was there the whole time. Because that’s how a hierarchy works.
We finished up our tour with Carcass and Crowbar on the East Coast, so we and Night Demon had a string of shows in order to get back to California. Originally we had wanted to go to Cleveland (sorry guys) but we ended up in Webster, NY, at some old Mason hall or church or whatever… I don’t know. It was near Rochester, and even the few folks from Rochester were like, “Webster?” But whatever, the people who did show up were the right people and had a rocking good time.
We had to drive all night, again, but were set to hit Chicago and one of the best venues in the United States, Reggie’s Rock Club. The staff lead by Edgar is fucking on point, the food at the attached bar is great, they have laundry, a back room, but most importantly, they have insane Chicagoans who know how to rock the fuck out. Easily it bested any of the previous nights on tour… the ENTIRE tour.
Being very, very excited at the new Star Trek trailer and its use of 1990’s rap hits to really hit upon the cerebral nature of a show set in the 23rd Century, I decided to see what it would be like if director Justin Lin took on another famous franchise. Here’s my interpretation of Justin Lin’s Star Wars: The Force Awakens.
My wife is a once-a-month DJ at the Monday Metal nights at the Golden Bull in Oakland, CA. Recently having acquired a quality video projector, I thought we could gimmick her night up a bit by showing movies along with the metal. Horror movies, of course. Who needs sound when you can just watch Herbert West reanimate corpses?
The only issue was where to project the movie? They have a screen at the Golden Bull, but it faces sideways. I wanted the screen to be visible down the long room from the door to entice people (as if the tunes shouldn’t be enough). I had to build my own screen to sit on stage next to the most super hot DJ ever.
My good friend (name-drop) Cremator hosts Ghoul’s Burning Questions show. I feel like you should check out the latest episode. Quite a few of their live antics are included in this one. I think he makes many reasoned and cogent suppositions on the show. Quite a handsome fellow, too.
After taking a beating for the last four or five years, Killbot wasn’t looking so hot. Getting smooshed into a trailer night after night didn’t help. While on the last tour, we talked about a making a new one. Maestro Sean McGrath took the lead on this one and cobbled together a leaner, more aggressive looking, and tougher version of the costume. When he wants to write a blog detailing how he did that, he’s welcome to. In the meantime, I threw in the LEDs and lit the bitch up, and that’s what I’m gonna talk about here.
The previous Killbot had lighting done to its head. I detailed that in a previous entry last year. When I finally saw the lazer-saw that Sean had built, my mind started whirling with ideas. Originally, he’d planned to have electroluminescent wire wrapped around it. He tried that for one show, but it wouldn’t illuminate very well. I tried working with it, and I’ve decided I hate EL wire. It’s definitely not bright enough for a lit stage and it’s a bitch to work with. I wanted to go another route.