In a previous blog, like, a million years ago, I covered our construction of a loft in our jam spot. Well, since then, we’ve moved spots and were able to move the loft with us. That’s all fine and dandy, but after our group of hooded menaces were given some awesome guitars as part of our endorsement of ESP, we found our loft was not a convenient space for the mass of cases we’d acquired over the years. Hence, the addition of the guitar loft.
Now we have a convenient place to reach our cases without climbing a god-damned ladder and they’re off the floor so we can actually jam. With a couple strokes of luck, we put this up for the price of a few wood screws.
Mauz from Kicker had this interesting paperweight laying around the shop for awhile over at Monolith Press, where I work my day job. Turns out, it used to make noise. This was a remnant of the eighties, a Gallien-Krueger GK 400RG in all its solid-state and rack-mountable glory. It had its own crusty history as the amp for Geoff Evans from Skaven followed by Mauz when he recorded guitar for Dystopia’s “The Aftermath.” It also had a history of blowing up and some questionable, tweaky repairs with non-spec parts.
Mauz asked if I would take a looksy, so it went from a paperweight at the shop to a paperweight in my room. I wasn’t jumping at the chance to work on it. Fixing solid-state amps is a bitch. There’s so many little things that could be wrong or blown and you can’t always see it. You actually have to be smart… or you can blindly test everything a gazillion times until you get it right. So, yeah, testing everything it is.