The Dead Fuckin’ Dead Remain album covers

The Dead Shall Dead Remain album cover is perhaps one of the most infamous pieces of art I have ever been involved in. The idea was conceived by Sean McGrath and executed with the help of every member of Impaled. I took the photo and printed it myself back when printing photos was a thing you did before you could actually see the image. 13 years later, we re-recorded the album and I was tasked with paying homage to ourselves.

tdssdrMy concept was to play off the original title coined by Leon del Muerte. It made no sense other than its emphatic truthiness. Revisiting the music 13 years later, the new title, The Dead Still Dead Remain, supports the original’s conceit that dead is dead; only it’s a tad more rotten. I’ll never understand what that has to do with a toilet full of guts, but it was gross, got us a lot of attention, and it cost nearly nothing to make.

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The Kunts Invade San Francisco

Dennis Dread‘s Entartete Kunts book is out now and it is grand. It’s 200 full colour pages of 42 amazing underground artists and fucking cheap at $50 for a hardbound copy from Ajna Press. He recently had a speaking engagement in San Francisco at the little-known-but-super-cool Vortex Room. He asked some of the local artists included in the book to display some art from the book, which included moi, and brought some of his own collection of originals as well. And that’s why I got to hold a bad-assed Amebix sword crafted by their vocalist, Rob Miller.

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Me and my lady fair showed up early and got to enjoy all the art in appropriate light as Dennis and his partner Meadow unpacked the incredible collection of Dennis’ own art as well as his originals from a myriad of underground legends. Dennis has been waging his battle for art for awhile. This night, the Bay Area got to get in on the fight.

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Entartete Kunts: The Exhibit: The Book: The Blog

BUY THIS BOOK! As an international taste-maker, when I talk, people listen. And I’m telling everyone now: Entartete Kunts, curated by Dennis Dread and featuring works from me and 41 other talented artists, is a must have book for lovers of art, the underground, underground art, and books about art from the underground.

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Where to buy it? That one is easy; you buy it from the publisher, the Ajna Offensive. You won’t find another deal like this, what with 340 full-colour pages for only half a Franklin. Why should you buy it? If you’re reading this blog, you should already have your answer; you’re a patron of all things excellent. If you don’t, well, you’re dumb. So let’s go back six years and maybe we can get it through your thick noggin.

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Gross Anatomy: High on Fire poster

Back in August / September, Yob was coming through town. I love Yob. They were playing on my birthday and I wanted to do a poster for them. I talked with the band and they were down. A week before the event, after just starting the inks, it was pointed out to me the promoter already had a poster. Shit. I didn’t talk to the promoter. I cancelled my job and enjoyed the show anyway. A month later, my friends at Secret Serpents offered me a spot in their High on Fire tour series. Well, why fucking let that art go to waste? I requested the date for the end of the world, December 21, 2012. This is what came of it.

2012.12.21 HIGH ON FIRE POSTER

Like all posters I’ve worked on, I don’t make a cent… unless I sell my own copies. This is the topsy turvy economy of the gig poster world. 35 of these bad boys went down to Santa Ana, gratis, for the band to sell. My copies are on sale on my website now. The process to get from there to here took longer than expected, but I was pleased with the results.

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Choice Cuts: Building a Lazer-saw

After taking a beating for the last four or five years, Killbot wasn’t looking so hot. Getting smooshed into a trailer night after night didn’t help. While on the last tour, we talked about a making a new one. Maestro Sean McGrath took the lead on this one and cobbled together a leaner, more aggressive looking, and tougher version of the costume. When he wants to write a blog detailing how he did that, he’s welcome to. In the meantime, I threw in the LEDs and lit the bitch up, and that’s what I’m gonna talk about here.

The previous Killbot had lighting done to its head. I detailed that in a previous entry last year. When I finally saw the lazer-saw that Sean had built, my mind started whirling with ideas. Originally, he’d planned to have electroluminescent wire wrapped around it. He tried that for one show, but it wouldn’t illuminate very well. I tried working with it, and I’ve decided I hate EL wire. It’s definitely not bright enough for a lit stage and it’s a bitch to work with. I wanted to go another route.

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STD Greeting Cards: You need these!

My fiancee and I have been mulling about on a project for some time now. Probably, like, a year. Touring and stuff often gets in the way of fun stuff like this. Finally, however, I was able to make some time. It is here I am for the first time displaying our first ever joint artistic effort; STD greeting cards.

I’ve gone and screen printed four different cards, all featuring just the most adorable little animal I could draw. These are going to be sold as a set of four, bundled up all cute, and just in time for the holidays! What makes these so special, besides my amazing art and a wonderful four color screen printing job? The messages inside… each one has a different message declaring from the sender to the sendee an APOLOGY for whatever SEXUALLY TRANSMITTED DISEASE you might have given them. You had to know the idea was gonna get sick at some point, right?

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Gross Anatomy: Melvins Lite Poster

Freak Puke is the debut album from Melvins Lite, a more recent power trio incarnation of the Melvins. It features old stalwarts King Buzzo and Dale Crover joining with legendary bassist Trevor Dunn. They’re as “Lite” as a joke about 9/11; it’s every bit as heavy as any version of the Melvins. They are touring to promote Freak Puke, but this time, the tour is an event of Guinness sized magnitude. 51 shows in 51 days, every state in the union plus Washington D.C. This will be a record. I was pleased as punch to be included in the tour poster series from Secret Serpents. Yesterday, they played the second gig in Seattle, Washington. I commemorated the event with this piece of Sewage-style snarkiness.

I was a bit apprehensive at first, being handed the tour poster duties for Seattle. Being that this was such a geographically consequential tour, I wanted to do something to reflect the area they were playing. I couldn’t abide by putting the Space Needle in the art, but I couldn’t think of anything more unequivocally recognizable about the Emerald City. I set about looking for inspiration.

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Gorenography: visiting the Slave Pit, Inc.

After being entranced for so many years by some of my favorite space mutants, it could be considered sacrilege to see the men behind the curtain. Ah, fuck it. I’d been on tour with these folks for some time. I’d smelled their poos and farts. There was no more disillusionment to be had. The day after our tour ended, we headed to Richmond, VA (not Antarctica) over to see the real headquarters of GWAR: the Slave Pit.

Sean at Slave Pit door

It was an unassuming enough building from the outside. It looked like an little old office or shop of some sort. Now, it is a little fucking shop of horrors full of gorenography!

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