European Bluntkrieg 4

The Bavarian pigs sure had thrown us for a loop. On our way to Tilburg in the Netherlands, they’d made us leave our back line and our Scott behind. What bungling! We showed up for a show I’d booked just four days previous with no back line. Because I only have Skype on my phone and no international plan, I had to wait until we found a McDonald’s with free wifi one hour outside of Tilburg to inform the staff at Little Devil of our predicament. Need I have worried? To paraphrase my friend Luuk running the whole thing, “Hey man, you’re in the Netherlands. It’s all taken care of.”

 
In one hour, give or take, Luuk and friends at the Little Devil had organized an entire back line, including a five piece drum set, cymbals (which we stupidly left behind), two Marshall cabs, a Marshall 2000 TSL, some Line 6 guitar head, and a decent Trace-Elliot bass combo. This show was going to happen.

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European Bluntkrieg 3

Our adventure continued as we left Deutschland on a reverse-viking raid into Scandinavia. We we took to the sea like savage warriors of old, bringing death and destruction. Except, our death was only of rubber monsters and our boat was a big ass ferry that had an expensive breakfast menu.


Copenhagen awaited us with just the merest of shakedowns by German police preceding at the border. We lucked out that we only got a warning for two people being up in the loft, a 70€ fine each that they waived. And somebody ate something they forgot they had, and that’s all I’m saying about that.

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European Bluntkrieg 2

Those fucking Hall brothers. They were right. The Chunnel was pretty lame. Ya don’t even get ta see the train. But the hall we drove in looked pretty cool after we had watched Alien.

 
Escape from the U.K. 20 minutes later we were on French soil pointed towards Belgium. For me, things get more interesting once the language changes from English. Or American, as you prefer.
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Ghoulection 2012: Transmission Fifteen

It has been an amazing year for us, but ahead is Europe in early 2013 with our “buds” and Tankcrimes label mates, Cannabis Corpse. We ended our 2012 run of shows with a real bang of a weekend. The first show on Friday, November 16th, was with Tankcrimes label mates Vitamin X. The show itself was a Tankcrimes joint. Our own “fifth member” Scott Bryan was currently working with GWAR, so this weekend we drafted Mr. Tankcrimes himself, Scotty Karate. Tankcrimes, Tankcrimes, Tankcrimes!

Ghoul Metro flyer 2012

Some zipper heads might recognize this flyer as having been outside the Metro the same day they were paying twice as much to see the “Misfits all-star cover band featuring Jerry, only.” Ah, c’est la vie, how to compete with a legend? Well, you pack a smaller room with a bunch of numbskulls who beat the shit out of each other, that’s how.

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Ghoulection 2012: Transmission Fourteen

We were invited by our friend Shlak to play the New Jersey Death Fest 4 this past weekend. With friends like Shlak, who needs enemas? We met this crazy mother fucker some years back after we’d watched him wrap himself in barbed-wire and staple dollars to his head while bleeding everywhere during a set with his old band, Call the Paramedics. You never could imagine a sweeter, more cordial fellow caked in blood. We flew out for what was sure to be a night of steady blast beats and pinch harmonics. We wouldn’t fit in at all.

NJDFHARTSMALL

This was going to be an epic weekend. We would play the fest, stay in New Jersey, and then follow it up with a sweet show at St. Vitus in Brooklyn. It WAS going to be a sweet weekend. Some colossal shit dickery occurred between some members of our band, promoters, and bookers which led to a misunderstanding that wasn’t revealed until days before the event. We had to cancel the Brooklyn show. All I can say is, my dick remained free of any shit. As it stood, we had a lot of fun in New Jersey, despite, or maybe because of, the chaos.

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Ghoulection 2012: Transmission Thirteen

After the whirlwind of events in the past year, how fitting we should wrap up such a significant portion of our lives in a whirlwind event of a weekend. GWAR-B-Q 2012. We’d spent the better part of almost three months this past year with GWAR. Who woulda thought this little, technically unsigned, management-less project would ever go so far? With just a little heart and a lot of latex, we’d found ourselves amidst brethren we never knew we had. Richmond, VA, is rapidly becoming a second home. And a welcome one at that.

We took a red eye flight on Thursday night. I was schnockered, fitfully downing beer and shots of Maker’s Mark because our flight was delayed. The crew at Jet Blue did us fine, charging us next to nothing for all our guitars and such. The robot and the monkey had headed cheaply a few weeks earlier via Amtrak: much cheaper than posting them. We couldn’t disappoint our godfather’s in GWAR with half a show, not after all we’d been through.

GWAR had been inviting us to GWAR-B-Q for some time. Something I’ve learned is that when GWAR says something is going to happen that seems non-sensical, like going on a second tour, playing GWAR-B-Q, it’s not fantasy: it fucking happens. That kind of veracity and stalwartness are rare these days.

We were picked up from the airport by our friend, merch guy for the last tour, and co-prop master Jim Stramel. He’s the multi-talented Director behind the hit tattoo-murder move, “Degenerates Ink.” and an absolute pushover when it comes to letting us trash his abode in Richmond. Ya gotta love a sucker like that. We crashed, hungover, I mean, jet lagged as shit. It was the day before GWAR-B-Q, so the local dive, Strange Matter, had a BEFORE-B-Q show hosted by Mr. Dave Brockie. Some of us scraped our asses off Jim’s couch and made our way there.

We showed up late, but managed to see our friends George and Kent play in their band Savage Attack. Stripped down Pantera and Slayer worship, the boys let out with a… savage attack. One of my favorite moments was when the vocalist said, “We’re not gonna drop names like Dave Brockie,” except ya just did.

Dethrace from New York were one of the more bizarre things I’ve ever seen, a kaiju inspired… something… band. I guess death metal? Kind of. Drum machines, down tuned guitar, but gimme a break. All eyes were on the pentagram-domed front thing. With stuffed shorts. Dancing. They passed out comic books before the show, explaining their origin and what not, but does it matter? It made about as much sense as any Godzilla movie I’ve ever seen. That was the best picture I could get, because despite having such outlandish costumes, they preferred it covered in fog.

Then we had blessed sleep. We had to be at the fest at Hadad’s dirty grungy ’70s style water resort fucking early.

I’m not sure what Sean is pointing at. I’ve never heard of ’em. That’s my story, and I’m kind of sticking to it.

The first band of note was The Burial, Jameson aka Beefcake the Mighty’s pop-punk band. They put on a good performance early in the day and were really the first guys to get the ball rolling. I was really excited to see GWAR spew-tech, our heavy metal maniac, and good friend Germ get on stage and play some damn guit-fiddle. It was weird seeing him on stage and NOT getting beat up by a robot, but he nailed it.

There was some weird noiseness with Mutawawa, but more exciting for me was Antietam 1862. They brought forth the Norwegian style black metal but with an American southern bent. Not in they music, per se, but Antietam is a reference to the bloodiest single battle in American history. More Americans dead than even at Normandy. It was nice to see the corpse paint, wizards, and Norsk shit put aside for a mo’.

At some point around this time, GWAR was doing a meet and greet with the fans. Drummer Jizmak da Gusha apparently, as recounted to me by Beefcake the Mighty, pissed into a water bottle and told anyone who’d swill some that they’d get free beer all day. Three people partook. I’m SO SAD I missed this, said with all due sarcasm. Seriously, GWAR fans… they are another breed. Half.

The fest really picked up as the sun came out. The tigers were having a blast in the water park, disgusting as the water was.

This was a man made lake. The water looked fairly nasty, especially if you count these two fools were jumping in. Our boy Scott and Steve of Whorechurch make quite the strapping pair.

Scott, the lucky bastard, was staying behind in VA to do some work with GWAR for their upcoming tour. At least SOMEBODY in our group got something out of all of this. 

We had our set time, and it was a blast. There was a late start, with some confusion as to why there were no guitar heads on stage. Luckily, we were saved by Antietam 1862. We still had to cut a song to keep our set on time. Unfortunately, no one had told Scott, and I had to yell at him while playing to get his next costume on as he sat comfortably smoking a cigarette. He thought I needed a towel. Please, that’s why God invented sleeves.

We got a lot of grief previously for ripping up a baby on stage (spoiler: it was a toy doll). This time, we smashed a box of kittens (spoiler: some fake fur and blood bags). GWAR has really helped us a lot to become the complete crowd mocking, repugnant assholes that we were meant to be.

Sadly, I missed our friends in Occultist who we’d toured with as we cleaned up our mess. The next band I got to see was our friends from Portland, Murderess. It was a lot of fun hanging out with them all day.

When they started playing clad in bikinis and booty shorts,, it was clear that the crowd didn’t wanna take them seriously. As the first notes started chugging, and that PDX crust-death-punk started blowing eardrums, however, it was a different story. Murderess charged forth and literally had tigers hanging from the rafters air-moshing. They rule. Murderess, I mean. The dudes in the rafters were complete retards.

I had a bit of damper in the day when our new shirts arrived. It’s the old Splatterthrash design, but I had personally redone the separations myself for a new company. And they didn’t look good. Dino smirked at the travesty. I was a bit hurt and disappointed in myself. I was planning a blog post on how to do shirt separations, but alas, I have to go back to the drawing board. We must accept our failures and trudge onwards, otherwise we never get better. Or, just fucking give up. Washed out and crap. These suck, Ross.

After the Casualties and Valiant Thorr, the crowd wanted one thing… GWAR.

The chant was rising forth like bubbling spew from the tip of a cuttlefish. We’d seen a lot of shows touring with GWAR, but this one was special, especially for a dyed-in-the-wool old bohab like myself. The festivities were started off by the main man himself, Mr. Sleazy P. Martini. The nowadays rare appearance of GWAR’s manager is a sure sign that a carnival of chaos is headed your way.

The hits didn’t end with Slaughterama, either… it went double old school with the appearance of Sexicutioner doing his own signature song. I haven’t seen this guy join his fellow scumdogs on stage since the nineties, for fuck’s sake.

It was an amazing performance from GWAR, as always, but with a little more. I’m glad GWAR has evolved to the more tightly honed metal machine they are these days. A little bit of the TSR playing little kid in me, though, misses the old chaos: WAY too many people on stage flopping about like a bunch of half-retarded LARPers.

As with all GWAR shows, the paramedics were helping out a tiger at the end of the show, trying to figure out which blood was real and which was fake. I myself, was exhausted. Sun baked and still jet lagged, we headed out from Hadad’s, a lot of hugs to our benefactors and brethren in GWAR. This was it! The real end! Until the next time…

Some of our camp headed out to the after show back at Strange Matter to see the amazing Ratface from Pittsburgh. I’m sad I missed it, but dammit all, I was tired. I stayed in with our boy Jim and watched some movies while eating garbage and cursing our 6AM flight home.

It was a crazy weekend and the most excellent wrap up for a year with GWAR. We saw the first and last show of this tour cycle. We shared the best of times, we shared the worst of times. These boys were always in my heart as a fan, and now they’re in my heart as friends… or fiends. I can’t decide which.

photo by Glenn Cocoa

Much love… right to the balls.

Ghoulection 2012: Transmission Twelve

It’s not often our band is known for doing something nice. In light of the tragedy that befell our local music community, how could we do otherwise? Last Friday, we played one of many benefit shows that have been organized for our fallen comrade, Jef Leppard, and for his recuperating, beloved wife, Nikki.

written about before that I restored, but in great condition. After the show we spoke about how he wasn’t too happy with his tone. He had an Ampeg SVT-4Pro to match the cab. I explained how he could bi-amp the set up to achieve a fuller sound. The SVT-4Pro has correspondingly named speaker outs to match the two sections of speakers in the 1540HE cabinet. With two speaker cables, the lows can be sent to the 15″ speaker and the highs to the four 10″s and dialed in to match dB levels. I know it’s the propensity of men to charge forward without reading instructions, especially musicians, but sometimes it pays to go over the literature. I’ll be curious to see how it works for him the next time I see them play. 

Our set was… well, it was fucking chaos. It’s cute when a couple security guards on stage sit on the sides while I’m forced to push people off the stage, bass in hand. Ah well… those tigers really just hate the fuck out of Sean’s mic stand. They want it DESTROYED. I would like to advise folks who want to jump on stage with us and actually grab a microphone: please learn the lyrics. It’s really embarrassing for all involved when you just scream incoherently along with the beat.

On me and Sean’s side of the stage, there was a piece of shit power strip plugged into an extension cord. That was power for our amps. Oi vey, I had no idea the problems it would cause. Sean sounded like he was coming out of a Marshall 900, sans gain, and I was losing a lot of oomph while my power light flickered. That power strip was more like a weakness strip. I was worried about our gear. Autopsy was borrowing this stuff, sight unseen, for their headlining stint. After we played, I had the club switch to a more robust power strip and the problem was solved. That’s just one more thing for the pre-show checklist, I guess.

I first remember seeing these Autopsy when I was a scared young teenager going to death metal shows. I had few friends. I remember seeing Chris covered in green slime. I thought that was so fucking cool. Obviously. What an impact those shows had.

And what an impact this one had. Holy fuck balls, they are still so good. And they sounded great on our shit, if I do say so myself. And I think I just did. Autopsy was a great kicker to what was an awesome and fulfilling evening.

Even after the show was over, poor Aimee was still giving away prizes to the peeps who bought raffle tickets. Madness! I imagine the show was an extremely successful benefit, but little can defray the loss and suffering…

My one, my biggest piece of advice I can give here is to remember the loved ones around you. Give a hug, hold tight, give a kiss (if appropriate, natch). It’s easy to forget in the humdrum day-to-day bullshit. All the folks who came out this night remembered to show the love… just like Nikki and Jef always did.

Nikki is still recovering and her medical costs will be enormous. So much has been done, but every little bit helps. If you haven’t been able to, and can, please try and give so that her hard road to hoe is just a little bit less hard.

You can donate here: Nikki Davis – Caring Bridge Page