Mondo Morley Medicale: PWF Power Wah Fuzz

This monster, the Morley Power Wah Fuzz, came to me via Sir John Cadbury Cobbett.

IMG_2584

On his former quest to have the largest pedal board in the world, partially I think to mock me and my increasing effects collection, John decided to collect some old Tel-Ray Morley pedals. I knew they had a wah and volume pedal, but I really had no idea how many effects this company produced in the ’70s. Rotating Wahs and echos utilizing oil cans, flangers and phasers whose sweep could be automatic or controlled by one’s foot, some weird shit called a pik-a-wah that used a metal pick to wah while you played? And they all came in the same gigantic big chrome box that just says, “America, fuck yeah.”

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Minor Malpractice: Sovtek Big Muff Pi

My parental units are the best. We have Christmas every year with the whole family. Not a winter solstice, for we are not trying to refind our pagan roots, we celebrate Christmas with all the enthusiasm a bunch of atheists, agnostics, buddists, and lapsed Catholics can muster. This past year, my parental units asked what I wanted, and I wall wanted for Christmas was a Russian Big Muff. Sure, that sounds bad, but I meant the Russian Sovtek Big Muff Pi Version 7 fuzz pedal in the big green tank box with the tall logo. And they delivered, in damn fine condition. Fucking A. Thanks, eBay Santa.

Sovtek Big Muff Pi Fuzz

I’ve wanted one of these ever since Ludicra was playing Car Fest, and the bass player of Lullabye Arkestra fired up her’s, and I ran across the room saying, “What the FUCK was that beautiful noise?” Turned out to be this pedal. This particular model is coveted by bass players. It’s the same as any Big Muff, a classic fuzz on it’s own, but the capacitor values in the various fuzz stages differ enough from other models so that this is the one that can output the brown notes to hapless victims causing uncontrollable bowel movements. Plus, this version has that bad ass big green tank box, and that’s just cool. Yup, fashion beats function 28 days of month, as my friend Jamie puts it.

For more info on all Big Muffs, there’s an excellent resource here: http://www.kitrae.net/music/music_big_muff.html

The whole history of Mike Matthews, and Elektro Harmonix, and Sovtek is a fascinating novel in and of itself, and a topic for another day. I had other fish to fry inside this rooskie.

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Ghoul School

It was a strange weekend in the Bay Area. It had been so nice, but all of a sudden it was stormy out, lightening was crashing, and the smell of boiled beets was in the air. Obviously, splatterthrashers Ghoul were in town.

The original hooded menaces in Ghoul have often journied to Oakland in the past. I think there must be some kind of special travel deal or a direct flight from their homeland of Creepsylvania to Oakland. I shudder to think of what their passport photos must look like. This time, they were in town to record their long-awaited follow up album to 2006’s Splatterthrash. I guess Mr. Fang’s wax cylinder recording device must’ve been in the shop, because I found the Ghouls at Oakland’s vaunted Earhammer Studios, a place well known to record some of the best doom, crust and punk coming out of the Bay Area. I’m sure they felt right at home in the depressed neighborhood with people pushing their entire belongings about in shopping carts, not unlike the wheelbarrows of their European homeland. Just less donkey shit everywhere.

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Gross Anatomy: Melvins poster

Secret Serpents is a collective of a few people running an indie label, and more importantly for this journal entry, they make gig poster series for bands. They are regular clients at my day job, Monolith Press. They organize the artists (never an easy task) and pair them to a musical live performance to create beautiful screen-prints that make a unique piece of memorabilia for a fan of any musical group. It’s oh so vogue these days, and thank God for that or I wouldn’t have a paycheck.

Well… I’ve done posters for my own bands in the off hours at work, but not much for anyone else. I was stoked last February when Justin from Secret Serpents not only gave that schlub printing his posters a break, but asked me to do a poster for one of my all time faves, the Swans! That went well enough. The band’s copies of the poster sold out, though I still have my copies for sale. Now I might occasionaly get asked to do more, and when Justin sent out an email asking who was interested in doing a poster for an upcoming Melvins series, I jumped at it. Are you kidding? A poster for ANOTHER one of my favorite bands ever? So what if I was about to go on tour and would come back with only 2 weeks to draw and print this!

final melvins poster

Okay, that was probably dumb, but after some long, cursed nights, I did finish it in the nick o’ time.

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Hammering away with Sir Cadbury Cobbett

Hammers of Misfortune is the brainchild of my bandmate in Ludicra, Sir John “Cadbury” Cobbett. They are in the midst of working on a new record to be released on Metal Blade sometime in the future.

I got the call from John. “I need my pedal back.” Crap. The pedal I was supposed to fine tune. Oops. Oh well, I got it working, at least. Problem is, I was working in Oakland, and John is hard at work in South San Francisco. And it’s rush hour. So I guess after getting here I’m sticking around and writing about what the fuck Hammers is nailing down.

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Ludicra Tour Photos

If my tour ramblings are not enough for you, a photo is worth one-thousand blogs. By my calculations, if you want to look at our tour photos, that’s 311,000 blogs you can read by checking the links below. If you just like looking at people other than yourself having a good time in strange lands, there’s that too.

Facebook is our venue of choice to display photos, because we are lazy web surfers. More like web waders. So many photos, Facebook made us put it into 2 albums. Enjoy.

http://www.facebook.com/media/set/?set=a.10150234424533338.368462.81741018337&l;=e614525d66
http://www.facebook.com/media/set/?set=a.10150235615843338.368893.81741018337&l;=40720caad5

Post-Tour Boy

I’ve never understood anyone saying during a tour, “I’m ready to go home.” I never am. I may have plenty of loved ones left behind, but there’s an exhileration of being on the road that’s intoxicating to the extreme. Despite regular blacking out, bad shows, depression and frequent nervous breakdowns, it’s like nothing else in my life. A tiny little time bubble where I am moving at 186,000 miles an hour and the rest of the world slows down.

Because of this wanderlust, as the Germans call it, I always try and stay a bit longer. Hell, I’m so poor, playing music is the only way I can get a plane ticket to anywhere. As Aesop says, limited talent taking us infinite places. Besides, what better way to wind down than continuing to eat and drink in strange lands.

I was happy that Chirsty and Aesop could make the time to also stay with me this time. My usual travel partner has usually been Raul, both of us having post-tour excursions in Europe, Japan, and Mexico.

We tried to have one last group breakfast with some traditional food before dropping off John and Christy, but it was Easter Sunday. Oh, and the Bavarian dick wads in the tiny shit burg we stopped in were only willing to give us hard looks and told us their kitchens were closed. At 2pm. After the fourth inquiry at a restaurant we got the hint and instead ate some kebobs and pizza with Italians and Turks. So much for the hard-working German stereotype. The xenophobic stereotype, at least for these Bavarians, was still intact.


We dropped off Laurie and John at the airport with much sadness and hugging. Then we were on our way. I had a discussion comparing German and American inventions. Then we found the greatest German invention ever. Move over, jet engine, the time of the German travel pussy is now. Available at many German truck stops, the travel pussy is essentially a ballon with a gash. Maybe that’s why German truck drivers are so happy. I picked one up for Aesop. Because he’s gross.


We headed to Nürnberg and stopped off at the Reichsparteitagsgelände, the sight of the famous speech by Adolph Hitler documented in the movie Triumph of the Will.


We climbed the steps up to where the giant swastika was blown up as a symbol of the end of the Nazi regime. Nearby, there was a football game in a stadium full of chanting Germans. The ghostly echoes reverberated through the stands and provided a bone chilling soundtrack to this rotting memorial of totalitarianism.


We finally got our traditional German meal provided by a pretty fräulein in the city center underneath a castle once occupied by Barbarossa. I had the equivalent of mac and cheese, and it was amazing. There used to be a cheap box meal I had here the first time I visited with Exhumed called Hüten Snack, cheese noodles, and never could find it again. Now I was having the adult version. Age. It keeps happening. Fuck.


We headed towards Prague and camped somewhere outside Pilsn, the birthplace of Pilsener beer. Many people laud the Belglians for their fine ales, but for my money, the Czech do beer best. Refreshing, crisp, and it doesn’t make you feel like you’re going to regret having so many.


We had camped on the side of the road because we couldn’t find any of the campsites that were listed in our atlas. The next day we finally found it on the way to Prague, by one sign, listing the “town,” Camping. What the fuck? We czeched it out and found a beautiful campground with an open cafe. For about twenty-five bucks total, we each had a three course, amazing breakfast with my favorite meal, smazeny syr and kroketys. Basically, fried cheese and fried potato balls. I don’t recommend this when you come to Czech Republic, I demand it.


We went straight past Prague to see the birthplace of our favorite grind core 7″ covers at the ossuarry in Kutná Hora. In this tiny chapel lay 40,000 skeletons rearranged into fantastic art. This was my second time there, and it was still amazing.


We met up in Prague with our friends we made in the Turbojugend who put our show on a couple weeks previous, Vladimir, Stanislav, Jan, and Clint Eastwood. At least he was a dead ringer.


We had a traditional Czech dinner, which meant more fried cheese for me. Fuck yeah! We walked to the city square, one of the prettiest in all Prague, walked into some shoegaze show, drank and drank, and ended up at a bar near Vlad’s. I fell asleep, and everyone took funeral memorial pictures with me as the deceased (on Christy’s camera). It was all fun and games until the bar owner wanted to take one and woke me up with his cold, clammy hands all over me. Creepy.


Me and Christy stayed with Vlad and apparently Aesop witnessed Jan and Conny mosh till 8 in the morning. The Turbo Jugend of Praha are the most congenial and generous annihilators of my health yet. Great guys who partied us near to death. Awesome!


The next day, after some recovery, we headed to the Prague castle and St. Vitus Cathedral, where we did the St. Vitus Dance. First you groove to the sound like your legs was broken, it’s supposed to look like a fit or a convulsion. Golden Lane apparently is broken, so no tiny houses and golem gewgaws for us. Then we headed to the Wallenstein palace and gardens, where there is the most Dan Seagrave inspired monument ever, the dripstone wall. I can’t find any real info on it, but suffice to say, it’s BAD ASS.

We met up with Vlad again, and I made a last minute decision to stay with Christy and Vlad in Prague and go see the Macabre / Rompeprop / Birdflesh show. Aesop and Conny left, and we jumped on the tram, because Vlad, a Czech television repoter by trade, refuses to pay for tram and says, “no problem.” Problem. The inspector is on this tram.

At first when he came up, Vlad tried to sound American. It was not a good impression. Then the guy talked to me and I went into the mode an old friend from my youth would go into anytime he had trouble with the law: slack-jawed idiot. In Europe it’s even better, because you’re an idiotic American. This worked in Finland, too, when I forgot to check my Leatherman and tried to get it through security. The guy led us off the tram and after dealing with Vlad and looking at me and Christy acting the fool and saying we thought trams were free, he just let us go out of frustration. Score one for the morons of the world!

We made it to the show, which was awesome. Birdflesh and Rompeprop nailed it. It was fun to freak out my friends who didn’t expect my face to be showing up at their show in this place. The best is listening to Adde from Birdflesh yelling, “I can not believe!” Like the Swedish Chef. After the show, some folks got it into their heads to go to a strip joint they were told about to get a few more beers. From a previous experience in Prague 15 years ago, I was thinking there are no strip joints in Prague. When someone tells you they’ll take you to a strip joint, you’re gonna end up someplace more sinister. Still, Prague has been very westernized, so maybe – nope, it was a whore house. Note: there are STILL no strip joints in Prague.

Then nothing notable happened.

The next day, Christy, Vlad, and I did some more sightseeing watching the famous astrological clock tower in the center of Prague. Vlad saw us onto a bus, and we went off to Dresden to meet up with Conny and Aesop. Conny runs a tiny gallery there called Knark Art Gallery, and I had a piece in the current show, my Swans poster from a few months back. We drank then headed to the awesome punk club in the neighborhood, Chemie Fabrik. They have an excellent drink called Rattenhirn which looks like a rat brain floating in blood.


We checked out La Casa Fantom from Norway, a two-piece playing Man is the Bastard style power violence, almost. Later around the fire outside, I got into a bit of verbal tussle with the drummer. He started getting into it with me about American inventions, or something, and it was amazing how patriotic I could get when I knew I was dealing with some punk who was likely getting social welfare and healthcare from one of the nicest countries on Earth. You’re gonna try and compare your lazy no life sentencing fjord asses to my awesome failing empire prison-filled homeland? Nuh-uh.


The next day, our friend Maike took me and Aesop to get Zimmerman hosen. Basically, German cargo pants. It used to be these were the traditional pants of the German carpenter, but now that no one in Germany works more than 10 hours a week or gets up before noon, these are the Carharts for the hip German punk. Of course Aesop and I bought a pair each. It’s probably like going to Portland and buying a Pabst shirt. Fuck it, they’re awesome, with two zips in the front for a flap so you can comfortably get at your junk with your pants still buttoned at the waist. Let the uses for such a contrivance run wild in your imagination.

We headed to Berlin later on and took in the Jewish memorial, some Berlin wall, and the Brandenburg gate and made it to the Weedeater show in town to meet up with some friends we were staying with. “Oh mein Gott!” The next day, it was off to Tegel airport and – schade – home.

I thought we were back in Prague, becaue the airport experience in Berlin was Kafka-esque. First, we are in the normal line. But then we are shuffled to the self-help line by Christy. I hate these machines, because it always ends up you have to get help because their programming sucks. So, sure enough, lady sends us to another line, and that lady gets into it with us because it’s the wrong line. Then, only my name comes up, but Christy’s name doesn’t match her passport and they threaten to make us buy a new ticket. Then we get into it about carry ons being too heavy, which always pisses me off because I make up for that weight by being skinny, unlike this Fat Frau at the counter. Okay, so then I have to take our guitars downstairs, and THEN pay for the luggage somewhere else. I’m running and find the place, and Herr Dude says I have to pay for four pieces over my limit because Frau Fucknut has put all the luggage on MY ticket only. He makes a call and that gets cleared up, so we enter the security area for our gate. Of course, me and Aesop’s pedals get flagged, and we have to wait or something. So I put back on my metal stuff while this lady is watching, wristwatch, necklace, etc. at which point the lady leads us OUT of security. We go to a separate room, and the lady monitors us and takes us back to security, where we AGAIN have to take off all our shit, rescan the bags, despite being surveiled the entire time. AUGH! I finally get on the plane and my seat is next to a Jephova’s Witness preacher from New York, living in Germany to preach, and he wants to ask what I think of the bible. I knew I had to stay awake or I would wake up as a cockroach.

We transferred at Frankfurt, and because we were flying to America, there had to be two more lines with more beauracracy asking us more inane questions that were already answered on our fucking tickets. On the plane, United sucks, no more free booze on International flights, the cheap fucks. Lufthansa gave me a free beer for a CONNECTING flight. I tried to go Lufthansa the whole way, and thought I succeeded… ya gotta read the fine print about air partners online though, and see who is “operating” whom’s flight. I would complain more about United, but what’s the point. They’re gobbling up every other airline with the government’s help so pretty soon they’ll own all air travel and we’ll accept it like so many communist cattle. You become what you fear most.

That got deep. Shit. I watched a bunch of movies and got home. The end.

Doktor Ross Sewage
www.doktorsewage.com
dispatched from Die Struwwelpetra Ludicra 2011 European Tour

Location:Home

Dude-icra

Is there some reason we have to spell København as “Copenhagen” in English? Even phonetically, without knowing any Danish, I can look at the real Danish spelling and sound out the name of the city way closer to the actual pronunciation than the Anglicized version. Of course every language does this to a certain respect, but I’m calling bullshit. It’s offical: Merriam, Webster, you’re on my shit list.

I’ve played København twice before this, and I have to say, it made me hate Denmark. Both times at club Lopen, on the edge of Christiana. Christiana, the hippy paradise outside the laws of the kingdom, where you can noodle dance all day, smoke hashish, and ignore the fact that it’s actually run by motorcycle gangs dealing meth and heroin. Impaled had an epic fail at Lopen, totally hated by the crowd who couldn’t understand our schtick. When I returned with Wolves, me and Aaron were totally sick, asked for peace in the band room, and instead woke up to the opening band and their little sluts and dick head friends sitting on top of us, smoking, and they drank all the beer.

I came into København with a sneer… and left with a smile. Third time’s the charm.

We played a club called Stengade, with local hiking metal punks Solbrud, and friendly French froggy band Alcest. We felt bad, because Dornenreich were on tour with Alcest, but not invited to play this show. We didn’t know that until 2 days before, and Aesop is friends with the band. It was awkward, all we could do is say sorry at that point to the somewhat miffed members.

The place filled up pretty quickly. Super organizer Martin paid us up in advance and provided a delicious meal. Turns out, this place was a culture house, fully subsidized by the kingdom. That meant tons of food, drink, good pay, accomodations, all paid for by the governmeny to bring the art and culture of heavy metal to the Danish masses. Yeah, fuck you America.

The bands all did well, and our set went fantastic, with a good amount of Danish and Swedish dredlocked masses sticking around for our headlining gig. The only bummer was that Aesop had to reset up his drums, because the opening band got the message from someone in the venue that it was okay to use our drum set, despite us not being asked. It seems fairly common that the headlining band is asked to share their rented gear with locals who must clearly have their own equipment near by, or they wouldn’t be locals. I guess this is the other side of the socialist coin that we enjoy so much while touring in Europe. You get all that stuff and treated like a real artist, and then you are expected to give some back for the good of the show. Still, it’s just so freaking annoying for drummers to have to reset their entire kit. God damn engineering feat. So, we didn’t make a federal case out of it, because everything else was so rad and we were treated so well. A long night of drinking followed the set, hanging out with Martin and the lovely staff and some new friends from the show.

We went to the hotel, and boy oh boy what a neighborhood. Hookers everywhere. Driver Conny opted to stay in the van, and good thing as some hoodlums ended up trying the doors some time in the night. Something was rotten in the state of Denmark.

In the morn, walking around, I realized this really was the most Americanized European city I had seen yet. Every corner had a 7-11 (never forget) and Burger King, KFC, and McDonald’s. Any Floridian death metal band would’ve been chuffed for a taste of such fine American cuisine they missed so much, but I was a tad disappointed. I got a waffle with Nutella. Yum.

Onto our second 2 day drive we went. We would’ve had a great show in Rendsburg tonight, but for the fascist and cowardly Interweb troll fucktards I’ve mentioned before. Sigh…

Instead, we drove into the Höbichengrund forest area to seek camping. This is a small part of the area made famous in Goethe’s “Faust” as the gathering place of the witches, so witch statues abounded. Not creepy at all. It’s almost Easter and all proper shops close on Good Friday. We were left with the pickings at a gas station, which in Germany, aren’t so bad. They baked us some fresh bread, we bought wine, beer, and sandwich fixins, and we boosted some TP from the bathroom.

We got to a camping site, the kind where you pay to park next to a bunch of RVs, and opted instead to park for free directly across the road and set up. Christy is a master tent builder and did it in the dark. We drank and drank and looked at the awesome night sky.


I woke up early in the morning, as I’m want to do, and decided on a hike through these haunted forests supposedly full of witches. About an hour in, I felt nature calling. Like, REALLY calling. The TP felt about a million miles away. John had told me about similar situation he was in and cleaning himself in rocky mountain streams, but all I could find was puddles. I hiked off the path to find seclusion, and luckily, found some moss on a dry, old branch. It actually made good paper, soft yet scrubby. But watch your step if you walk these woods, because now it’s haunted by much more than witches… look out for Moss Sewage.


We moved on to the last show in Hot Karlsruhe. Dude-icra was playing Dude Fest, which kind of felt like a smaller, German version of Roadburn. Except the people were different. Promoter Chris and his staff were excellent and friendly, but the crowd just seemed… weird. Lots of myspace haircuts. Good thing our friend Dirk from Belgium came to his fourth Ludicra show and actually chatted with us. Whatta guy!


I usually am really nice to the sound person in any club. I wish I hadn’t been in Karlsruhe. Right off the bat as we were loading in, this fat turd of a German tells us to move our asses, which is impossible as we were holding heavy gear and people were in our way. This was the sound guy, and it was already going bad. When it was our turn on stage, he was a prick, but again I was trying to be nice, because he was doing our sound. I guess it didn’t help, by all accounts, but we still had a good show… right to the end. This Colonel Klink came on the monitors during the last twenty seconds of our song to tell us we had to stop. Aesop flipped him the bird. I checked my watch: we were a meager two minutes over our set time. When he came up after and said he tried to stop us four times (not true) Aesop flipped again, that is to say, out on him. It was kind of awesome, but I’m not so confrontational, I just got to the business of moving around him and getting our stuff the hell ou of there cause I was pissed. I apologized to the guys from Julie Christmas, and they didn’t seem to think it was any kind of problem. Till THEY dealt with the sound guy. He also yelled at Master Musicians of Bukkake and turned off all their lights when they went precisely one minute over their set time. I guess this guy’s raison d’être was just to piss off bands. It’s a shame no one kicked his ass, but I suppose everyone just wants to do their best on stage for the tigers, then just be done with the stress. Fuck that guy.

Still, I’ll always attempt to be nice to the sound person as much as possible. Always introducing myself, and trying to be personable. Even if I hate their guts, I’m relying on then a great deal, at least, until we make it to the big time and have our own sound guy. Keep dreaming, kiddo.

We got a pleasant surprise from the group we rented our heads from, Nomad of Prague. I keep giving them ups for their great service. They had an employee in attendance with another band there, and he took our heads when we were done and we got to save a few bucks because they only charged us for up to this fest. That, and we are no longer worrying about the gear in the van and we don’t have to go to Prague to return anything. Of course, we are still going!! It’s fucking Prague!!! Woo hoo!!!


I guess everyone had kind of a weird night with the folks attending the show, but it was a pretty friendly eve amongst the bands, maybe more so because of this strange vibe. We had a good time hanging with the folks of Sabbath Assembly, Liturgy, Master Musicians of Bukkake, Junius, Julie Christmas, and Corrosion of Confirmity, amongst the rest. Sometimes that’s hard to make happen. Maybe it’s the penchant the Dude-icrans have for making constant penis and fart jokes backstage. Hell, in front of the stage. In the van. At breakfast. I can imagine we are hard to take seriously.

One last thing about Dude Fest: I was finally getting to see Earth, having missed them at Roadburn. I was super in the moment, gently swaying, feeling the pain and beauty of their music. Then I heard in the middle of their set, of course in an American accent, “Freebird!” Seriously? SERIOUSLY?! How old are you? Pretty old, it turns out, to try and heckle with that old gem. Then, “Sweet Home Alabama!” I saw who it was, and was pretty bummed after we’d had some decent conversation earlier in the day. To Earth’s credit, they busted few licks from the latter mentioned song and took it in stride. But I was removed from a special moment, on my last day of tour, at an already awkward event. I let it get to me too much, sure, but dammit, artists should be able to respect another player enough that if they aren’t into it, leave the room. Or come up with something better than Freebird. Ultra lame, and that was the unfortunate feeling I left with.

We kicked it for awhile in the streets drinking, then at the hotel drinking. There’s that kind of sad undercurrent that this Band of Brothers (and Sisters) is parting ways and the last tour for Ludicra for the forseeable future is dunzo. Laurie articulated this look well.


Bye bye to Laurie and John as we take them to the airport, and the curtain closes on Ludicra’s Die Struwwelpetra Tour. Thanks for having us, Europe.

Doktor Ross Sewage
www.doktorsewage.com
dispatched from Die Struwwelpetra Ludicra 2011 European Tour