On Swans most recent tour, I was able to do contribute art for their show in Berlin. I decided to pay tribute to the time Swans was most influential on me.
In 1997 I saw the final tour of Swans in San Francisco and was floored. Their mid-90s death knell is still my favorite period of Swans, employing bombastic rhythms juxtaposed with eerie and unsettling quiet passages. They also had a minimalist aesthetic to their art that stuck out next to the early Photoshop boon of horrid album covers in the ’90s. I had to figure out how to reflect this vision and celebrate Berlin, one of my favorite cities in the world.