When Tel-Ray Morley was started, guitar effects were in their infancy. It was novel for a guitar player to have even one effect on stage. The Morley design didn’t seem so ridiculous then. Wouldn’t you want your one pedal to be a nice, big, beautiful chrome monster? As the 1970s continued, guitar players only added a couple pedals to their line-up, the price being prohibitive and the pedals being enormous. Then BOSS introduced their still distinctive line of affordable, compact pedals in the 1980s; the world of ridiculously large pedal boards began. Enter the Morley SEL.
As far as I can tell, this must’ve been Morley’s attempt to keep up with the times. It’s got that distinctly enormous Morley look they kept for over a decade, but it doesn’t do something new. It’s an effect switcher. It’s not a true-bypass box, it just bypasses up to five effects. So do those effects’ on-off switches. Pointless? You can see where this is going.